Hypnosis (2024) depicts silent film star, Theda Bara, in the 1917 film, Cleopatra. I have always been drawn in by the risqué and elaborate costumes in this film.
In fact, this is my third painting of Theda Bara from Cleopatra. The Waiting Game (2020) and Lady Lazarus (2022) are part of a series.
Cleopatra was one of the most expensive films produced. Regrettably, it was lost in a fire and the only images that remain are production stills and promotional images.
For me, Theda Bara has the most mesmerising eyes. Further, her face is exceptionally expressive, which was necessary for conveying emotion as a silent film star. I wanted to capture these qualities in my painting, Hypnosis (2024).
Hypnotic Beauty
The 1917 film, Cleopatra, depicted a turn of the century aesthetic based on ancient Egypt. This melding of two periods of time produced visually attractive and harmonious results. For this reason, I found the styles and patterns of the costuming appealing.
In Hypnosis (2024), I particularly enjoyed painting snake costuming on Theda Bara’s chest and head. Interestingly, the palette for this piece was simply zinc white and carbon black.
Similarly, The Waiting Game (2020) and Lady Lazarus (2022) featured a snake motif. Hypnosis (2024) was much smaller in size than my previous pieces depicting Theda Bara. Nevertheless, it evokes a similar drama and unique style.
The focal point of this piece was Theda Bara’s intense stare. As such, I sought to capture the depth of the expression. However, I also needed to create balance in the composition. In many ways, this painting was reminiscent of my painting, Pola (2018).
Hypnosis (2024) is a contemporary piece, inspired by an 108 year old film lost to time. The result is a striking painting, which simmers with intense emotion. It serves as an homage to the strength and power of women and of never giving up.